This is a book that I wish that had been available at the time that I went through my miscarriage. The woman who wrote this book helped pen the Selah song by the same name. It was very comforting, and beautifully written.
Synopsis: In 2008, Angie Smith and her husband Todd (lead singer of the group Selah) learned through ultrasound that their fourth daughter had conditions making her “incompatible with life.” Advised to terminate the pregnancy, the Smiths chose instead to carry this child and allow room for a miracle. That miracle came the day they met Audrey Caroline and got the chance to love her for the precious two-and-a-half hours she lived on earth.
Upon receiving the original diagnosis, Angie started a blog (Bring the Rain) to keep family and friends informed of their journey. Soon, the site exploded in popularity, connecting with thousands who were either experiencing their own heartbreaking situations or simply curious about how God could carry someone through something so tragic. I Will Carry You tells the powerful story of a parent losing her child, interwoven with the biblical story of Lazarus to help those who mourn to still have hope—to find grace and peace in the sacred dance of grief and joy.
Synopsis; As its title would suggest, Cramer's fourth novel is lighter and less gritty than its critically acclaimed predecessors (Levi's Will; Bad Ground), but it is a thoughtful and engaging read. When ironworker Mick Brannigan loses his construction job, he becomes a stay-at-home dad to his three children. Especially troublesome is four-year-old Dylan, who may have sensory integration dysfunction (and is in trouble for such things as licking the day-care teacher's ankle because he likes the texture of pantyhose on his tongue). The Brannigans' Georgia neighbors include a snobbish, wealthy couple and the contrasting Hap Harrelson, a grizzled fix-it man in unbuttoned overalls who is accompanied by a pack of beagles. A handless, homeless man (who faintly echoes a messianic character in Cramer's debut novel, Sutter's Cross) serves as sort of a supernatural figure. Layne Brannigan, a paralegal, is a strong woman figure for faith fiction, both nurturing of her family and talented in her profession. Cramer allows Mick to be reasonably competent but thoroughly male in his parenting style, and Mick's discovery of his creative talent for photography is an uplifting addition. Although the plot feels pieced together and Cramer occasionally narrates instead of letting the story unfold, the enjoyable cast of characters will keep the reader interested. (Feb.)
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Another book crossed off my Newbery list. It was pretty good, but not my favorite. One of the characters was a pastor, and he was not put in a good light, so that kind of bothered me. But, the overall story was good, and the relationships between the siblings and their newfound friends were portrayed well.
Synopsis: Mississippi Beaumont ("Mibs" for short) simply cannot wait for her 13th birthday. There's the allure of finally becoming a teenager, of course, but in the Beaumont family, 13 is when family members get their "savvy," or unworldly power. For Mibs's older brother Fish, it's control over the elements, and for her mother it's the ability to do everything perfectly. Unfortunately, Mibs's excitement is cut short when her father is injured in a car accident. Convinced that her new powers will be able to save her Poppa, she and some new friends climb aboard a bus toting pink bibles on her birthday, in the hopes of getting to the hospital. Instead they find themselves headed in the wrong direction with the cops looking for them, Mibs's powerful brother seriously angry, and the son of a preacher man she has a crush on coming dangerously close to figuring out the Beaumonts' secret. Mibs's real savvy isn't what she expected, and neither are her traveling companions. Though the story never lives up to the brilliance of its opening chapter, Law has a feel for characters and language that is matched by few. With its delightful premise and lively adventure, this book will please a wide variety of audiences, not just fantasy fans. Definitely an author to watch.—Elizabeth Bird, New York Public Library
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This was my first conscious attempt to work on my goal of reading every book on the newbery award book list. Without trying, I've already read about 30 of the 200 plus titles. I really enjoyed this one. It had a lot of interesting information about the practice of midwifery in midieval times. The main character of the book grew up to feel that she was stupid and worthless, and this made me snivel in more than one place. But, it ended quite well.
Synopsis: Karen Cushman likes to write with her tongue firmly planted in her cheek, and her feisty female characters firmly planted in history. In The Midwife's Apprentice, which earned the 1996 Newbery Medal, this makes a winning combination for children and adult readers alike. Like her award-winning book Catherine, Called Birdy, the story takes place in medieval England. This time our protagonist is Alyce, who rises from the dung heap (literally) of homelessness and namelessness to find a station in life--apprentice to the crotchety, snaggletoothed midwife Jane Sharp. On Alyce's first solo outing as a midwife, she fails to deliver. Instead of facing her ignorance, Alyce chooses to run from failure--never a good choice. Disappointingly, Cushman does not offer any hardships or internal wrestling to warrant Alyce's final epiphanies, and one of the book's climactic insights is when Alyce discovers that lo and behold she is actually pretty! Still, Cushman redeems her writing, as always, with historical accuracy, saucy dialogue, fast-paced action, and plucky, original characters that older readers will eagerly devour. (Ages 12 and older) --Gail Hudson
FINALLY! I read the first 3 Twilight saga books a year and a half ago, within about a week, and I had started this one. But, I had borrowed it from my niece, and because I had to go back to work, it was taking me longer, and I didn't want to keep it too long. So, anyway, I vowed to get to it "eventually." I'm glad I finally got around to it! There were certain things I would've changed, but overall, a pretty good ending.
Synopsis: Surely, you don't really need one? EVERYONE knows about these books, right?
Synopsis: In a world with no poverty, no crime, no sickness and no unemployment, and where every family is happy, 12-year-old Jonas is chosen to be the community's Receiver of Memories. Under the tutelage of the Elders and an old man known as the Giver, he discovers the disturbing truth about his utopian world and struggles against the weight of its hypocrisy. With echoes of Brave New World, in this 1994 Newbery Medal winner, Lowry examines the idea that people might freely choose to give up their humanity in order to create a more stable society. Gradually Jonas learns just how costly this ordered and pain-free society can be, and boldly decides he cannot pay the price.
Synopsis: --Every year in Panem, the dystopic nation that exists where the U.S. used to be, the Capitol holds a televised tournament in which two teen "tributes" from each of the surrounding districts fight a gruesome battle to the death. In The Hunger Games, Katniss Everdeen and Peeta Mellark, the tributes from impoverished District Twelve, thwarted the Gamemakers, forcing them to let both teens survive. In this rabidly anticipated sequel, Katniss, again the narrator, returns home to find herself more the center of attention than ever. The sinister President Snow surprises her with a visit, and Katniss’s fear when Snow meets with her alone is both palpable and justified. Catching Fire is divided into three parts: Katniss and Peeta’s mandatory Victory Tour through the districts, preparations for the 75th Annual Hunger Games, and a truncated version of the Games themselves. Slower paced than its predecessor, this sequel explores the nation of Panem: its power structure, rumors of a secret district, and a spreading rebellion, ignited by Katniss and Peeta’s subversive victory. Katniss also deepens as a character. Though initially bewildered by the attention paid to her, she comes almost to embrace her status as the rebels’ symbolic leader. Though more of the story takes place outside the arena than within, this sequel has enough action to please Hunger Games fans and leaves enough questions tantalizingly unanswered for readers to be desperate for the next installment.
Synopsis: Upon a not-too-distant future, the United States of America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 12 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal intimidation of the subjugated districts, the televised games are broadcasted throughout Panem as the 24 participants are forced to eliminate their competitors, literally, with all citizens required to watch. When 16-year-old KatnissÆs young sister, Prim, is selected as the mining districtÆs female representative, Katniss volunteers to take her place. She and her male counterpart, Peeta, the son of the town baker who seems to have all the fighting skills of a lump of bread dough, will be pitted against bigger, stronger representatives who have trained for this their whole lives. CollinsÆs characters are completely realistic and sympathetic as they form alliances and friendships in the face of overwhelming odds; the plot is tense, dramatic, and engrossing. This book will definitely resonate with the generation raised on reality shows like ôSurvivorö and ôAmerican Gladiator.ö Book one of a planned trilogy.Jane Henriksen Baird, Anchorage Public Library, AK
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Synopsis: Richmond's sophomore effort (after Dream of the Blue Room, 2003) traces a traumatic year in the life of photographer Abby Mason after she loses her fiance's six-year-old daughter. The moment Abby stopped to photograph a dead baby seal while walking on a fog-bound beach in San Francisco is one she will replay in her head a thousand times. That's the last time she saw Emma, who was racing ahead, eager to collect sand dollars. Panic and fear soon give way to sheer exhaustion and emotional shutdown as Abby and Emma's dad, Jake, immerse themselves in the desperate search for the missing first-grader. As the months tick by, Jake becomes convinced that Emma drowned, while Abby is sure that Emma was kidnapped. The trauma and the guilt wreak havoc with their relationship and with their struggle to regain a sense of normalcy. Richmond gracefully explores the nature of memory and perception in key passages that never slow the suspense of the search. Closely echoing Jacquelyn Mitchard's best-selling Deep End of the Ocean (1996), this is a page-turner with a philosophical bent. Joanne Wilkinson
This was an excellent book - especially for someone who is interested in autism.
Synopsis:
Jacob Hunt is a teenage boy with Asperger's syndrome. He's hopeless at reading social cues or expressing himself well to others, and like many kids with AS, Jacob has a special focus on one subject--in his case, forensic analysis. He's always showing up at crime scenes, thanks to the police scanner he keeps in his room, and telling the cops what they need to do...and he's usually right. But then his town is rocked by a terrible murder and, for a change, the police come to Jacob with questions. All of the hallmark behaviors of Asperger's--not looking someone in the eye, stimulatory tics and twitches, flat affect--can look a lot like guilt to law enforcement personnel. Suddenly, Jacob and his family, who only want to fit in, feel the spotlight shining directly on them. For his mother, Emma, it's a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, Theo, it's another indication of why nothing is normal because of Jacob. And over this small family the soul-searing question looms: Did Jacob commit murder?
Emotionally powerful from beginning to end, House Rules looks at what it means to be different in our society, how autism affects a family, and how our legal system works well for people who communicate a certain way--and fails those who don't.
I have been waiting to watch this movie, even though it seems EVERYONE else has seen it already, until after reading the book. I hope the movie does it justice. It was excellent. The time traveling got a little confusing at times, but the plot was so original. Highly recommend!
Synopsis: A most untraditional love story, this is the celebrated tale of Henry DeTamble, a dashing, adventuresome librarian who involuntarily travels through time, and Clare Abshire, an artist whose life takes a natural, sequential course. Henry and Clare's passionate affair endures across a sea of time and captures them in an impossibly romantic trap that tests the strength of fate and basks in the bonds of love.
It happens quietly one August morning. As dawn's shimmering light drenches the humid Iowa air, two families awaken to find their little girls have gone missing in the night. Seven-year-old Calli Clark is sweet, gentle, a dreamer who suffers from selective mutism brought on by tragedy tha pulled her deep into silence as a toddler. Calli's mother, Antonia, tried to be the best mother she could within the confines of marriage to a mostly absent, often angry husband. Now, though she denies that her husband could be involved in the possible abductions, she fears her decision to stay in her marriage has cost her more than her daughter's voice. Petra Gregory is Calli's best friend, her sould mate and her voice. But neither Petra nor Calli has been heard from since their disappearance was discovered. Desperate to find his child, Martin Gregory is forced to confront a side of himself he did not know existed beneath his intellectual, professorial demeanor. Now these families are tied by the question of what happened to their children. And the answer is trapped in the silence of unspoken family secrets.
I read this book as an assignment in my Dev Psy class. It was a literary review, where we had to choose 3 award winning books from 3 different age groups that deal with a moral dilemma. Actually, I couldn't decide between this and another one, so I read both. I went with the other one, but this was a pretty good book. It had some very grown up language and subject matter, so it is not one that Natalie will be reading any time soon!
Synopsis: Ellie has hooked up with more than a few boys. Each time, she is certain there will be more to the encounter than just sex. While she is with them, she feels loved. For a while anyway. So when Josh, an eager virgin with a troubled home life, leads her from a party to the backseat of his van, Ellie follows. But their "one time thing" is far from perfect: Ellie gets pregnant. Josh reacts with shame and heartbreak, while their close friends, Caleb and Corinne, deal with their own complex swirl of emotions. No matter what Ellie chooses, all four teenagers will be forced to grow up a little faster as a result. Told alternately from each character's point of view, this deeply insightful novel explores the aftershocks of the biggestg decision of one fragile girl's life - and the realities of leaving innocence behind.
This is the young adult book I ended up choosing for my literature review. It was a rather rough read, but definitely well written. It definitely had a good moral (eventually).
Synopsis:Since childhood, Bryon and Mark have been as close as brothers. Now things are changing. Bryon's growing up, spending a lot of time with girls, and thinking seriously about who he wants to be. Mark still just lives for the thrill of the moment. The two are growing apart - but holding on - until Bryon makes a shocking discovery about Mark. Then Bryon faces a terrible decision - one that will change both of their lives forever.
Ok, I BAWLED at the end of this book. My kids thought I was hurt or something. More than likely, you've seen this movie, or at least seen the trailer. Well, my #1 rule, the book is ALWAYS better. And, in this case, it was COMPLETELY, and I mean COMPLETELY different from the movie. I don't want to give it away - so, just read it!
Synopsis: The difficult choices a family must make when a child is diagnosed with a serious disease are explored with pathos and understanding in this 11th novel by Picoult (Second Glance, etc.). The author, who has taken on such controversial subjects as euthanasia (Mercy), teen suicide (The Pact) and sterilization laws (Second Glance), turns her gaze on genetic planning, the prospect of creating babies for health purposes and the ethical and moral fallout that results. Kate Fitzgerald has a rare form of leukemia. Her sister, Anna, was conceived to provide a donor match for procedures that become increasingly invasive. At 13, Anna hires a lawyer so that she can sue her parents for the right to make her own decisions about how her body is used when a kidney transplant is planned. Meanwhile, Jesse, the neglected oldest child of the family, is out setting fires, which his firefighter father, Brian, inevitably puts out. Picoult uses multiple viewpoints to reveal each character's intentions and observations, but she doesn't manage her transitions as gracefully as usual; a series of flashbacks are abrupt. Nor is Sara, the children's mother, as well developed and three-dimensional as previous Picoult protagonists. Her devotion to Kate is understandable, but her complete lack of sympathy for Anna's predicament until the trial does not ring true, nor can we buy that Sara would dust off her law degree and represent herself in such a complicated case. Nevertheless, Picoult ably explores a complex subject with bravado and clarity, and comes up with a heart-wrenching, unexpected plot twist at the book's conclusion.
Autism spectrum disorders are one of my main interests in the field of psychology, so I was excited to read this. It was a very insightful book, although, in places it was a little slow.
Synopsis: Robison's thoughtful and thoroughly memorable account of living with Asperger's syndrome is assured of media attention (and sales) due in part to his brother Augusten Burroughs's brief but fascinating description of Robison in Running with Scissors. But Robison's story is much more fully detailed in this moving memoir, beginning with his painful childhood, his abusive alcoholic father and his mentally disturbed mother. Robison describes how from nursery school on he could not communicate effectively with others, something his brain is not wired to do, since kids with Asperger's don't recognize common social cues and body language or facial expressions. Failing in junior high, Robison was encouraged by some audiovisual teachers to fix their broken equipment, and he discovered a more comfortable world of machines and circuits, of muted colors, soft light, and mechanical perfection. This led to jobs (and many hilarious events) in worlds where strange behavior is seen as normal: developing intricate rocket-shooting guitars for the rock band Kiss and computerized toys for the Milton Bradley company. Finally, at age 40, while Robison was running a successful business repairing high-end cars, a therapist correctly diagnosed him as having Asperger's. In the end, Robison succeeds in his goal of helping those who are struggling to grow up or live with Asperger's to see how it is not a disease but a way of being that needs no cure except understanding and encouragement from others.
Oh, this was gooooooooood. Again, not exactly a "feel good" story, but very, very interesting. I would love to see a movie made of this - so long as it stays true to the book.
Synopsis: Charlotte and Sean O'Keefe's daughter, Willow, was born with brittle bone disease, a condition that requires Charlotte to act as full-time caregiver and has strained their emotional and financial limits. Willow's teenaged half-sister, Amelia, suffers as well, overshadowed by Willow's needs and lost in her own adolescent turmoil. When Charlotte decides to sue for wrongful birth in order to obtain a settlement to ensure Willow's future, the already strained family begins to implode. Not only is the defendant Charlotte's longtime friend, but the case requires Charlotte and Sean to claim that had they known of Willow's condition, they would have terminated the pregnancy, a statement that strikes at the core of their faith and family. Picoult individualizes the alternating voices of the narrators more believably than she has previously, and weaves in subplots to underscore the themes of hope, regret, identity and family, leading up to her signature closing twists.
